American independent cinema has been an important creative and cultural media entity for the past fifteen years. The approach of this sector is one of cultural construction that simultaneously provides a socio-political reference through which critics and audience can attach certain films to popular movements and ideas.

American Independent cinema continues to grow as a fashionable scene and Declarations of Independence analyses its popularity, economic viability and the production process of so-called ‘niche’ cinema. Berra uses directors such as Quentin Tarantino and Steven Soderberg as examples of those who have crossed successfully into the cultural mainstream, altering media and public perception. This comprehensive book is a useful resource for scholars as it gives an overview of the industry from conception of a film right though to festival exposure and public consumption. Berra also presents a strong academic argument and places the discussion of this increasingly popular genre within a wider socio-political context.

‘In this timely study, John Berra asks us to reconsider what we mean by ‘independent’ cinema in America. He demonstrates the clear gap between popular notions of independence and the commercial realities of movie-making today. He then proceeds to ask vital questions about the whole status of creative autonomy within the contemporary culture industry. In this way, Declarations of Independence has pertinent echoes within the creative sector as a whole.’ – Dr Richard Howells, Reader in Cultural and Creative Industries and Director, Centre for Cultural, Media and Creative Industries Research, King\'s College London

ISBN 9781841501857
Paperback 230 x 174 mm
224 pages
Published March 2008